1/5

Prior to lesson

Annotated Joe Ferrell's solo on the album version of Spain

Posted a video of me playing over "A Lovely Way To Spend an Evening"

    https://www.dropbox.com/scl/fi/tvx2b9d26nbxx6ar38yj3/A-Lovely-Way-To-Spend-An-Evening-480.mov?rlkey=tk0ozbtgjwso88d706sgpkmj0&dl=0


Lesson

Comments on video
- add phrasing to create lines
- more of a swing feel
- listen to swing ballads
    - Bill Evans and Jim Hall

Discussion about Ferrell solo
- me: 

Brian: try "Exercise of Limitations" to reduce note choices and emphasize swing
- only 1's and 5s
- or only 3's and 7's (3+7 = "guide tones")
- or play only on a single string
- or only one position
- or only single octave

Fantasy solo - I had taken a solo with the band and it wasn't great.  I can't quite recall the section but it was a lot of Dm7
- funk - listen to John Scofield.  note choices aren't crazy.
- this is probably a Dorian sound
- half-step transitions in any scale are especially interesting
- try bends for half-steps
- over Dm7 (Dorian), can play some major triads (C, F, G) in sequence.  These are drawn from the underlying diatonic harmony but sound like a little suggestion of a different chord and that catches the ear.
- to do "outside" sound - move up half-step for a bar or two but come back.  "Sidestepping".  It's intentional conflict with the underlying harmony; not altered, per se, because none of it will fit, but play a quick lick and then hit a Dm7 chord tone to come back.


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