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Showing posts from January, 2024

Practice Topics

Stuff to practice Playing over changes ballad or mid tempo (60-120bpm) tunes  Lady Bird Spain hit guide tones voice leading (for comping) 1-2-3-5 constraints (3/7 etc.) When improvising: enclosures sidestepping (for modal) altered scalebebop ideas (joe f on Spain) pentatonic ideas upper chord tones motifs Mechanics Chromatic lines altering base chords (+b9 etc.)  chords out of normal position reading - notes + rhythm following melody idea in same position, don't shift

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Email prior to Lesson Jam session last night. Here’s what we played – most of this was new Real Book material, played cold, and it worked out pretty well. Except for Giant Steps…someone joked about it and our bari player knew the head but it was a total mess. - Lady Bird - Giant Steps - Bewitched - Don’t Get Around Much Anymore - Dream A Little Dream Of Me - Take Five - How High The Moon - Here’s That Rainy Day - My Funny Valentine - Sidewinder The live version of Lady Bird ( https://m.youtube.com/watch?v=r0vhqDCy9eQ&pp=ygUObGFkeSBiaXJkIGpheno%3D ) is fantastic and the changes are fun to play over…but I don’t understand them. I think there are some chord substitutions going on. Something to talk about. Lesson Types of Dominant resolution - V7 -> I (5 to 1): this is the normal form. In C that's G7 (G B D F) to C (C E G B). - bII7 -> I (flat 2 to 1): tritone sub. In C that's Db7 (Db F A Cb[B]) to C (C E G B) - IV7 -> I (4 to 1): blues. In C that's F7 (F A C Eb)...

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Prior to lesson Annotated Joe Ferrell's solo on the album version of Spain Posted a video of me playing over "A Lovely Way To Spend an Evening"      https://www.dropbox.com/scl/fi/tvx2b9d26nbxx6ar38yj3/A-Lovely-Way-To-Spend-An-Evening-480.mov?rlkey=tk0ozbtgjwso88d706sgpkmj0&dl=0 Lesson Comments on video - add phrasing to create lines - more of a swing feel - listen to swing ballads     - Bill Evans and Jim Hall Discussion about Ferrell solo - me:  Brian: try "Exercise of Limitations" to  reduce note choices and emphasize swing - only 1's and 5s - or only 3's and 7's (3+7 = "guide tones") - or play only on a single string - or only one position - or only single octave Fantasy solo - I had taken a solo with the band and it wasn't great.  I can't quite recall the section but it was a lot of Dm7 - funk - listen to John Scofield.  note choices aren't crazy. - this is probably a Dorian sound - half-step transitions in any scale ar...